When the stream cannot drop.

Most of what goes wrong on a live day is decided weeks earlier, in choices nobody flagged. We tell clients where those choices are, then build so the answer holds.

A tripped breaker doesn't end the broadcast.

UPS on every critical path as standard, backed by portable power stations, or a dedicated generator where the client's spec calls for one.

Remote viewers hear the mix, not the room.

Midas consoles. We always take a dedicated broadcast mix off the desk rather than a feed off the room PA, so the stream carries clean, balanced speech instead of echo.

One failed connection doesn't drop the stream.

Bonded uplinks with automatic failover into our own server, which distributes simultaneously to YouTube, LinkedIn, custom RTMP and a private client feed. LiveU and Starlink transmission available on any production, delivered together with our AV partner Eventechpro, with whom we operate as a single team.

Nothing gets muted or pulled mid-stream.

We steer clients onto copyright-free music so no platform can mute or take down the broadcast. Where licensed tracks matter to the room, we stream to our own server and hand the client a private link instead.

The director isn't also operating a camera.

On full broadcasts we field director, technical director, floor manager and graphics as separate roles. Six-camera productions delivered to date; larger builds on request.

What's on the screen matches the screen.

Sony FX3 and FX6 bodies, Blackmagic and vMix switching, Resolume playout on dedicated cards matched to the wall's native resolution. Kit is owned, not rented, beyond the occasional additional camera.

The stream looks like your event, not a webcam.

Animated lower thirds, starting-soon slates and on-screen tickers produced in house, as on last year's PwC annual conference. Slido for live Q&A and polls, or we run the client's own. Green room for remote guests and multi-language interpretation channels where an audience needs them.

The studio doesn't have to exist yet.

We design and build custom studio sets for livestream production. For JetBrains' IntelliJ IDEA Conf 2026 we delivered the full pre-production and built the custom backgrounds for a two-studio international broadcast, completed before the conference itself was postponed.

You can have the recording before you leave the venue.

Same-day master recordings on request. Edited deliverables, vertical cutdowns for social and chaptered VOD run seven to ten days, faster where the schedule demands it.